Salome Carrying The Head Of John The Baptist On A Platter Gustave According to biblical sources, salome agreed to dance before her father, herod ii, king of judea, in exchange for receiving the severed head of john the baptist (mark 6:21–28 and matthew 14:6–11). moreau treated the subject some fifteen times beginning in the early 1870s. Musée d'orsay, paris. the apparition (french: l'apparition) is a painting by french artist gustave moreau, painted between 1874 and 1876. it shows the biblical character of salome dancing in front of herod antipas with a vision of john the baptist 's severed head. the 106 cm high and 72,2 cm wide watercolor held by the musée d'orsay in paris.
After Gustave Moreau Salomé Dancing Before The Head Of St John The The painting was first exhibited at the 1876 salon (and shortly thereafter at the 1878 world’s fair), along with the apparition, hercules and the lernaean hydra and saint sebastian baptized a martyr — all works by the french symbolist and history painter gustave moreau. gustave moreau, the apparition, 1876 77, oil on canvas, 22 x 18 3 8. Title: salomé dancing before the head of st. john the baptist. artist: after? gustave moreau (french, paris 1826–1898 paris) date: mid to late 19th century. medium: graphite, watercolor and gouache on cream wove paper. dimensions: 9 13 16 × 7 1 16 in. (25 × 18 cm) framed: 21 1 4 × 16 1 4 in. (54 × 41.3 cm) classification: drawings. The daughter of herodias receiving the head of john the baptist, gustave doré, 1865; head of st. john the baptist, jean baptiste chatigny , 1869, the j. paul getty museum; the beheading of john the baptist, pierre puvis de chavannes, c. 1869, national gallery, london; salome, henri regnault, 1870, metropolitan museum of art; gustave moreau:. The painting is imbued with a sense of drama and impending tragedy, echoing the fatal request for john the baptist’s head that follows salome’s dance, according to the new testament narrative. moreau’s work captures not only the immediate allure of salome’s dance but also serves as a profound meditation on themes of seduction, power.
Salome Dancing Before The Head Of St John The Baptist By Gustave The daughter of herodias receiving the head of john the baptist, gustave doré, 1865; head of st. john the baptist, jean baptiste chatigny , 1869, the j. paul getty museum; the beheading of john the baptist, pierre puvis de chavannes, c. 1869, national gallery, london; salome, henri regnault, 1870, metropolitan museum of art; gustave moreau:. The painting is imbued with a sense of drama and impending tragedy, echoing the fatal request for john the baptist’s head that follows salome’s dance, according to the new testament narrative. moreau’s work captures not only the immediate allure of salome’s dance but also serves as a profound meditation on themes of seduction, power. In gustave moreau's captivating painting, "salome dancing before herod," the artist depicts a pivotal moment in the biblical story of salome requesting the head of john the baptist on a silver platter. the painting portrays the tension and drama of the narrative as salome dances seductively before king herod, who is enthralled by her performance. Seduced by the erotic dancing of his stepdaughter, salome, the biblical ruler herod promised to grant her a wish. prompted by her mother, herodias, whose marriage to herod had been denounced by john the baptist, salome requested the saint’s head on a platter. in moreau’s ornate vision, the dancer appears to have conjured the head of the ascetic prophet, whose radiance overshadows her.
Salome With The Head Of John The Baptist Painting By Gustave Moreau In gustave moreau's captivating painting, "salome dancing before herod," the artist depicts a pivotal moment in the biblical story of salome requesting the head of john the baptist on a silver platter. the painting portrays the tension and drama of the narrative as salome dances seductively before king herod, who is enthralled by her performance. Seduced by the erotic dancing of his stepdaughter, salome, the biblical ruler herod promised to grant her a wish. prompted by her mother, herodias, whose marriage to herod had been denounced by john the baptist, salome requested the saint’s head on a platter. in moreau’s ornate vision, the dancer appears to have conjured the head of the ascetic prophet, whose radiance overshadows her.
Comments are closed.