Get The Shot Macro Black Background Nauticam The black background macro shot is something every underwater photographer should have in their portfolio. it’s fairly easy to pull off and it produces nice clean uncluttered compositions. we use small apertures, fast shutter speeds and low iso to block any ambient light and the subject is 100% strobe lit. there are different ways to achieve. The blue background macro shot is very similar to the black background shot. it’s a nice look and something different to add to your portfolio. it’s fairly easy to pull off and it produces a nice clean blue or green background depending on the water color. like the black background shot you need to find a subject with open water behind it.
Get The Shot Macro Black Background Nauticam Getting the shot: this image was taken with the canon 5d mark iii, canon ef 100mm macro f 2.8l, nauticam macro port 94, nauticam smc. shot in manual exposure mode, shutter speed 1 200, aperture f 18, iso 100, with 2 inon z 240 strobes with diffusers on, set to 2 stops from full power, and aimed so the one on the right side is barely catching. Adding a good macro wet lens is a great way to achieve these results. the goal of a close up lens is to increase magnification by reducing the minimum focus distance between lens and subject. nauticam’s cmc 1 macro converter is designed specifically for mirrorless and compact cameras, helping users get the most out of their smaller setup. Here are five tips for better macro video shooting using the sony rx100 iii in a nauticam housing: 1. know the controls of the camera for the best of performance and ease of use, preset some of the camera's controls for the main functions you want for video. shoot in manual this is the easiest way to get good video. The nauticam extended macro wide angle lens emwl is a long bugeye wet lens that incorporates a wide angle field of view to macro images truly a unique shooting style. it is built to work with popular macro lenses and shoots both stills and video. it is a wet lens so the lens can be attached and removed underwater.
Get The Shot Macro Black Background Nauticam Here are five tips for better macro video shooting using the sony rx100 iii in a nauticam housing: 1. know the controls of the camera for the best of performance and ease of use, preset some of the camera's controls for the main functions you want for video. shoot in manual this is the easiest way to get good video. The nauticam extended macro wide angle lens emwl is a long bugeye wet lens that incorporates a wide angle field of view to macro images truly a unique shooting style. it is built to work with popular macro lenses and shoots both stills and video. it is a wet lens so the lens can be attached and removed underwater. The emwl is designed for extreme wam images, and the 160 is the most extreme option. the small, wide emwl lens gives a bug’s eye view of creatures, making small critters seem giant. 1 40th @ f 18, iso 320. that’s all good in theory, but the challenge for nauticam was making this small and wide angle lens deliver usable image quality despite. Demo reel shot in 4k in the waters of los cabos, mexico and the visayas, philippines with the sony alpha 1 in nauticam na a1 housing using sony fe 90mm f 2.8 macro g, sony fe 16–35mm f 2.8 gm, and sigma 15mm f 2.8 fisheye lenses and keldan 8xr video lights. all clips are unedited straight from the camera. 6.
Get The Shot Macro Black Background Nauticam The emwl is designed for extreme wam images, and the 160 is the most extreme option. the small, wide emwl lens gives a bug’s eye view of creatures, making small critters seem giant. 1 40th @ f 18, iso 320. that’s all good in theory, but the challenge for nauticam was making this small and wide angle lens deliver usable image quality despite. Demo reel shot in 4k in the waters of los cabos, mexico and the visayas, philippines with the sony alpha 1 in nauticam na a1 housing using sony fe 90mm f 2.8 macro g, sony fe 16–35mm f 2.8 gm, and sigma 15mm f 2.8 fisheye lenses and keldan 8xr video lights. all clips are unedited straight from the camera. 6.
Get The Shot Macro Black Background Nauticam
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